Map the public-performance rights an event uses
Key facts
- Human involvement
- YellowClose supervision
- How AI is used
- From the event papers, list each music use the papers describe as live, recorded or streamed, the work if named, and the page. Do not name a licence or a collecting society.
- What the lawyer must review
- 17 U.S.C. § 106(4) gives the owner the exclusive right, for musical works among others, to perform the copyrighted work publicly. Section 106(6) gives the owner of a sound recording the exclusive right to perform that recording publicly by means of a digital audio transmission. Both are subject to §§ 107 through 122. You decide which right each use implicates and whose licence the event needs. The list does not choose the licensor.
- Written for / version
- United States versionUS
Who does what
| Role | What they do |
|---|---|
| Assistance | Consider narrowly defined preparation support after confirming the tool’s capability and permitted scope. |
| Lawyer | Set the scope, supervise the work closely, verify every part relied on, resolve omissions and exceptions, and approve the exact output. |
Checklist
- Confirm the output against the client’s instructions and the complete relevant source material, including omissions or contradictions.
- Resolve exceptions and record the responsible lawyer’s approval of the exact output and intended use.